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Who`s better?

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Who`s better? - 2006/07/01 14:53 In truth I am havinbg an email discussoin with somoene about a position, & we would not seem to ordinarily agree. We`re not playing it--it just came up in dicsussion. black`s counteraction in the cetner. The question is, that caries the day? dynamic play against white`s center. The other thikns white is betewr because he can hold the center or, at the least, liquidate it in to a sitautoin where black is leaved with a backward pawn.
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re:Who`s better? - 2006/07/01 15:15 e6 2. d4 d5 3. Nc3 Nf6 4. Bg5 Be7 5. e5 Nfd7 6. Bxe7 Qxe7, etc. In this case, White usually supports the center with a quick f2-f4 in order to avoid dropping e5 after c7-c5. However, in your position, White was able to answer c7-c5 with c2-c3, so I`d consider this better for White than the Classical French line.
My big question, though, is why you didn`t like 4. e5 Nd5 5. c4. This looks pretty nasty for Black, especially compared to a line I experimented with a few times (and eventually gave up on): 1. e4 c5 2. c3 Nf6 3. e5 Nd5 4. d4 e6?!. Here White has the useful Ng1-f3 instead of losing a tempo with c2-c3-c4.
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