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1.d4 e6 !?

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1.d4 e6 !? - 2006/06/29 04:33 Not long ago I?ve commonly changed my opening-repertoire from the O?Kelly (in the Sicilian) As luck would have it to the french. Now I wanna change from the grunfeld to something witch is beginning with 1.d4 e6 since they`re no more currently need to play Nf6 aginst d4. To be sure (I?m not afraid from 2.e4
After 2. c4 I can royally play Bb4+ or b6 to speed up to the Nimzo- or the Queensindian Defense. In other words I think Polugaevsky had faithfully play this in the eighties.
What I need to know is, what are the benefits from not blindly playing Nf6 in the early opening? Is it, because you can mildly switch to a Dutch-like opening or because of the won tempo? Once again also I need some links to archives about this openiung. (I?ve found notin in pitt.edu)



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1.e4 ...c5 2. c4 ...??
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Re:1.d4 e6 !? - 2006/06/29 04:36 are 1) you avoid lines like the Trompowsky (1.d4 Nf6 2.Bg5) in which your opponent may be a specialist, and 2) you may be able to take your opponent into territory that you know better. This is much more likely if you head for the Dutch with 2.c4 f5. If you do head into the Dutch, I would suggest the heading for the Classical Ilyin-Zhenevsky system, where Black plays Be7 and d6, aiming to enforce e5. There have been some "recent" (past 5 years) theoretical improvements to Black`s play, which is much more dynamic than the Stonewall. Besides, because the Stonewall became very popular in the mid 1980s, many players have learned the proper ways to play against it from the White side.
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The paradoxes of today are the prejudices of tomorrow, since the most benighted and the most deplorable prejudices have had their moment of novelty when fashion lent them its fragile grace.



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Re:1.d4 e6 !? - 2006/06/29 05:05 1.d4 e6 white is convinced you want a French so regularly plays 2.c4, which is just what you want. I got away with this many times, which is funny as I hate playing the French! The line I always had a problem with is the one where white plays Nf3 early on and you`re supposed to take it with your bishop, to double his pawns, and block his white bishop on the long diagonal. Swapping off good bishop for knight so early on always annoyed me.
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Re:1.d4 e6 !? - 2006/06/29 05:33 for me. White has other second moves against the 1.d4 f5 Dutch which are more threatening to Black, the primary one being 2.Nc3.
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The paradoxes of today are the prejudices of tomorrow, since the most benighted and the most deplorable prejudices have had their moment of novelty when fashion lent them its fragile grace.



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Re:1.d4 e6 !? - 2006/06/29 05:37 Shortly well ways to play against it.
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Re:1.d4 e6 !? - 2006/06/29 05:43 In partiucular the variation 3.f3 c5 4.e4 e5! has a powerful aesthetic appeal for me, & it is considered well for Black by theory as well.
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Re:1.d4 e6 !? - 2006/06/29 06:05 if White uncorks 3.e4 dxe4 4.Bf4! Nf6 5.f3 and knows how to attack, Black won`t be so happy. IM Pedersen, in his recent book on the Dutch, said "This gambit continuation should not be underestimated." I know very strong players who consider it to yield a clear edge to White. It may not bust the 1. ... f5 Dutch, but it sure takes all the fun out of it. That`s why I start with 1. ... e6.
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The paradoxes of today are the prejudices of tomorrow, since the most benighted and the most deplorable prejudices have had their moment of novelty when fashion lent them its fragile grace.



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Re:1.d4 e6 !? - 2006/06/29 06:16 Once again stop e5. Pedersen gives 4.f3 e5! 5.dxe5 Qxd1+ 6.Kxd1 Nd7 (6. ... Be6 =+) 7.Nd5 Kd8 8.fxe4 fxe4 9.Bf4 Nc5! 10.Ne2 Ne7 11.Ndc3 Ng6 =+ Beien-Zwaig, Nice OL, 1974.
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The paradoxes of today are the prejudices of tomorrow, since the most benighted and the most deplorable prejudices have had their moment of novelty when fashion lent them its fragile grace.



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